In Coralie Fargeat's new feminist horror movie The Substance, hazardous societal beauty criteria are the actual beasts. They (female objectification, the disposal of "the outdated," the proliferation of a business built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality character https://omarmovieblog.wikicommunications.com/4718790/margaret_qualley_the_substance