This article examines the Royal Shakespeare Company’s (RSC) recent focus on digital ‘innovation’ by analysing the relationship between their emerging digital-focused business practices and digital performance practice for The Tempest (2016). To assess this relationship. I first review the socioeconomic context of 21st century neoliberal UK economic policy that encour... https://chefesquipmenters.shop/product-category/food-processor-blades/